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Bishop Barron Presents: Chris Rufo—America’s Cultural Revolution
Fool’s Gold: The Reality of Psychedelics
A Catholic Appreciation of “Myst”
Ditch Disney for Ghibli
The Working Class Gets an Anthem—And We Should All Sing Along
Excess of Sorrow Laughs: Megan Rapinoe’s Miss
Reason, Faith, and Oppenheimer (Part II)
Reason, Faith, and Oppenheimer (Part I)
Talking with Tod: The “Evangelization & Culture Podcast”
A Panegyric for Cormac McCarthy
Creating the Next Generation of Literary Avengers
Know Thine Enemy: Demonic Interest on the Rise
My Current Favorite Show: “Mrs. Davis”
“Mrs. Davis” and Getting Off the Grid
Why Humans Gawk at the Idea of a King
We Can Expand Our Concept of Beautiful: Bravo, Mattel
‘The Terminal List’ and the Wildfire of Revenge
The Adventures of Classical Morality
Nick Cave on “Faith, Hope, and Carnage”
“Breath of the Wild,” “Piranesi,” and the Joy of a Second Start
“The Philosophy of Modern Song”: Bob Dylan’s Tribute to Christian Culture
Apologetics Isn’t Dead: Cameron Bertuzzi’s Conversion to Catholicism
Star Wars’ Surprisingly Christian Cosmology
“Mother Teresa: No Greater Love” Presents the Tenacious Saint and Icon
“Sometimes They Know Better”: Glimpses of Holiness in Children’s Films
Elvis Presley and the Modern Search for Meaning
“Russian Doll” Flourishes in the Present Thanks to the Past
“The Northman”: Hamlet in the Soul of a Berserker
The Horror Story of Jimmy Savile
Why the Culture Was Healthier When Johnny Carson and Joan Rivers Were Around
“Losing My Religion” Even in These Exalted Days
“Groundhog Day” Perfectly Balances Dark and Light
Kanye’s “Donda”: Still Christian, Still Meeting Many Where They Are
Sufjan Stevens and Angelo de Augustine Musically Blend Film and God
Bad Guys: Untold Tales of Good and Evil
Post 9/11: Anticipated by Radiohead and René Girard
Bob Ross: Teaching Joy, Even Amid the Shadows
“Ted Lasso” Returns: A Funny, Kind Balm for Humanity
Longing As Reality: Lana Del Rey’s “Chemtrails Over the Country Club”
Kanye’s Gift: Black Gospel and Catholic Polyphony Together at Last!
Bob Dylan’s “Murder Most Foul” and the Death of Ideals
