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The Keys to the Kingdom: A Gentle But Firm Correction to “The Chosen”
WOF 393: Mrs. Davis, Algorithms, and God
My Current Favorite Show: “Mrs. Davis”
“Mrs. Davis” and Getting Off the Grid
‘The Terminal List’ and the Wildfire of Revenge
Bishop Barron and Jonathan Roumie – Acting and Evangelization
Magical Thinking: Free Will Is an Illusion
“Russian Doll” Flourishes in the Present Thanks to the Past
The World-Enlarging Consolations of “All Creatures Great and Small”
“Bluey”: Why a Cartoon Dog Is the Dad I Aspire to Be
“The Great British Bake Off” Reminds Us What Matters to Real People
“Shang-Chi” Presents the Strength of Peace and Self-Gift
Chappelle’s “The Closer”: Observant or Derisive?
Bob Ross: Teaching Joy, Even Amid the Shadows
Loki: Moving from Self-Love to Self-Gift
“The Chosen” Just Gets Better and Better!
“Ted Lasso” Returns: A Funny, Kind Balm for Humanity
“The Chosen,” Season 2: Getting Jesus the God-Man Right
“Resurrection” Is a Worthy, Family-Friendly Offering for Holy Week
Abortion on TV: Inefficient Life Feeds Art
Superbowl 2021: Ads for Unity and Life Sow Tears and Fears
On Sex and Marriage, “Bridgerton” Stumbles Into Catholic Truth
Cinema 2020: A Few Fine Films vs. TV’s Abundance of Riches
“The Crown” Season Four: Past Glories, Bleak Futures
Laughter Is a Leap: “Space Force” Can’t Get Off the Ground
“The Chosen”: How a Fictionalized Nicodemus Informed and Challenged My Faith
Bishop Barron on Netflix’s “Unorthodox” and the Modern Myth of Origins
“The Chosen”: Get Used to Different
“Unorthodox” and the Modern Myth of Origins
“Upload”: An Afterlife Pre-paid and Unaccountable
Be Like Mike: Jordan’s Work Ethic Can Enrich Your Spiritual Life
Holy Week Musings on a Fallen Tiger King
“Black Mirror,” COVID-19, Isolation, and the Scourge of Pornography
“Dracula”: A Bland Betrayal of Vampire Lore
“This Is the Way”: The Mandalorian’s Growth in Charity
Bishop Barron on “The Crown” and the Primacy of Grace
“The Crown” and the Primacy of Grace
As I Am, Before God: Mr. Rogers’ Living Philosophy
“The Voice” and Hope
“Mr. Robot” Returns: Where Is God?
“Yellowstone” and Icons
